Pernicious female role models and mid-Victorian London’s stage
Resumen
Linda Hutcheon hace referencia a la ‘metaficción historiográfica’, es decir, ejemplos de ficción que evidencian que nuestra percepción del pasado es cambiante y manipulable (129). A pesar de que la teoría de Hutcheon ha sido relacionada principalmente con ficción postmodernista, ciertos elementos de inspiración histórica ya habían sido utilizados durante la época victoriana. En este artículo propongo lanzar una mirada al teatro inglés de mediados del siglo xix para identificar los elementos que manipulan la realidad de figuras femeninas de la historia, en concreto, la de Lucrecia Borgia, reconvertida en strong-minded woman. Para ello, propongo la década de los 50-60 del siglo xix como momento propicio para hacer preguntas sobre la identidad femenina, los insurgentes movimientos feministas de la época y las representaciones alternativas de la historia femenina. Poniendo el foco en tres obras poco estudiadas de mediados de siglo escritas por H.J. Byron, Charles Matthews y Leicester Buckingham, continuaremos la labor de recuperación de ciertas voces y figuras femeninas olvidadas o tergiversadas por la historia.
Descargas
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