A Reading of Satyajit Ray's Pather Panchali and Agantuk as Subtexts of Fictional Ethnography

  • Anwesha Dutta Ain Techno International New Town
DOI: https://doi.org/10.25145/j.recaesin.2021.83.06
Keywords: Satyajit Ray, Pather Panchali (Song of the Little Road), Agantuk (The Stranger), Bengal, Fictional Ethnography in Film

Abstract

This essay focuses on Pather Panchali (Song of the Little Road, 1955) and Agantuk (The Stranger, 1991) and discusses the style of Satyajit Ray’s filmmaking which combined the aesthetics of European verisimilitude with suggestive symbolism based on conventional Indian iconography. The paper will concentrate on the authentic representation of a poor family in rural Bengal in Pather Panchali and the urban setting, in his last film Agantuk. The main aim is to explore how the detailing of the shots and the dialogues in these films engage in the ethnographic study of the Bengali society through these cinematographic fictional narratives.

Published
2023-03-15
How to Cite
Ain, Anwesha Dutta. 2023. “A Reading of Satyajit Ray’s Pather Panchali and Agantuk As Subtexts of Fictional Ethnography”. Revista Canaria De Estudios Ingleses, no. 83 (March), 77-90. https://doi.org/10.25145/j.recaesin.2021.83.06.
Issue
No 83 (2021): Cultural Representations of India and Indian Diasporas on Screen
Section
Monography